Dylan and Dickinson : A Comparative View of Death Essay

Because I could non stop for finale and Do non Go disconsolate into This Good Night be verse forms pen by distinguishable authors in different time periods. Because I could non stop for closing is a poem written by Emily Dickinson in which devastation is soulfulnessified. Do Not Go dignify into This Good Night is poem written by Dylan Thomas in which confront closing and the death of his father is recounted. Thomas and Dickinson use the same possessive recurring im develops to search the archetypal reports of birth, time, and death. Questioning handed-down values and redefining religion was a common theme through knocked out(p) the 1900s. Religion in the past offered reasons for why certain inhering things occurred. Darwin developed his theories on natural selection and the public was educated. It was no longer immortal that chooses what happens it is genius (Conlin 782). In the past death was seen as a normal tallyt of flavor, and that god is mark of who and when death occurs.In Do not go gentle into that good dark, Dylan challenges the endorser to defy God, and nature and fight against death. In line 2, Dylan economises elder age should burn and rave at the close of the sidereal day. Dylan means that level(p) people at the closing of their life should fight for every inkling. He withal writes Good menWild men clayey men all mean should wrestle death and keep life in their grasps. Exploring death as not provided God determined resultant role but an event in which each man-to-man can play active role in, is a common theme base throughout the twentiethcentury in literature, meter, and public debate. Dickinson takes a much passive and reflective approach. Dickinsons primary jailed is not either hope for immortality or the eff of living with the knowledge of death. two are traditionalistic interpretations of Because Death Could Not Stop for Me, but for certain not the only two possible ones. Death is described by Dicki nson as an unintelligent betrayer.His graciousness and civility and supposed immorality are just illusions to make the narrator and every living person go quietly with death. Dickinson did not write for an audience. She was not trying to inspire or educate. by and by experiencing the death of some(prenominal) people close to her, Dickinson was grieving, angry, and confused. The narrator of the poem was not pre equatinged for death. In line 15 16, For only gossamer my gown, / My tippet only tulle, the narrator was not dressed, wearing only underclothes or night gown, when death came for her. The fragmented social club, and deeply painful orb events is overly reflected in 20thcentury literature. a good deal of poetry written during this time is considered incoherent or fragmented, and certainly this Dylan Thomas poem is disjointed (Banks, par 8). eyepatch the poem does have a poesy scheme to each verse much of the school text is incomplete or missing words. The verses are w ritten like sentences but lack the grammar and structure of a true sentence.Also in line 2, Old age should be burn and rave at close of day, Dylan writes leaving out the expressed article the before close. Dylan purposely removes or leaves out words. He does this to forcibly pace the acquireing of the poetry so that it more closely resembles human public opinion (Cyr, par 14). This lack of grammar and traditional forms is a property found in 1900s literature. Authors during this time fought against the norms of hostel and the rules that society placed on everyone. Modern poets love to shake, shock, and repel the reader. They do this to spring the reader the into put to death, even if that action is to hate the poem and the author. They want for the audience to retrieve something, and feel it intensely. In Do not go gentle into that good night, Dylan uses the technique of repeat of a particular line to drill his contentedness into the minds of the audience.Rage, rage agains t the dying of the light (ln 3, 6, 9 12, 19), write Dylan Thomas to poke at the reader hoping the ensues upheaval makes them wonder why, and then how. The meter of the line reminds the reader of someone knocking against their coffin knock, knock against the coffin. (Westphal, par 4) Demanding the audience to grab at their last breath from death. 20thcentury authors struggle to motivate society to become active and involved in their lives, even if that motivation comes from fear and anger. The use of rhythm and repetition can also be seen in Dickinsons work. Sad thoughtfulness can be found in stanza 2 and the beginning of stanza 3. The narrator describes several things while traveling with death children playing, field of grain, and the sunset. After passing these things the narrator has a realization and comments Or rather, be passed us It was the narrator and death were in truth stilling still and life was moving pass them. matte or listlessness can be seen in line 5, we indi sposedly drove and he knew no haste. The narrator also stopped her daily activities because of death, and states And I had put away / My labor, and my leisure too.The tone of repressed terror is created by the following lines line 3 The carriage held but just ourselves, line 14 The dews grew quivering and chill. Each creates the feeling of emptiness, loneliness, and the bitter crisp of literal loss and physical death. The poem also has a tone of mature resignation. The narrator is not fighting death. The narrator is not shocked at his arrival or that trip they take together. If read in the right way the rhythm is slow and monotone. The sound of slow horses hooves hitting the grove and is most like death march. The tone is not pensive but calm, reserved, and excepting that death is an inevitable part of existing. The philosophical issues of life are explored by both Emily Dickinson and Dylan Thomas. While decades a part in their lives they choose to explore the issues of time, d eath, and birth in their poetry again and again. Dickinsons Because I could not stop for Death breathes life into Death creating a character that is kind in appearance but cruel in action.The tenseness of her poem is death and the feeling of dying saturates the inherent prose. Whereas Thomas chooses to celebrate life and the living in his poem Do Not Go Gentle Into This Good Night It is only the last trey lines of the poem that he addresses death at all. Both author skillfully use the images of the death, dying, and light to let their own opinions on the archetypal motifs of birth, death, and life.Works CitiedBianchi, Martha Dickinson, and Alfred Leete Hampson, eds. unpublished Poems of Emily Dickinson. Boston Little, Brown, 1936.Conlin, Joseph R. The American Past. 7th ed. Belmont Thomson, 2004.Thomas, Dylan. Do not go gentle into that good night. The Collected Poems of Dylan Thomas. unsanded York New Directions, 1953 128.Westphal, Jonathan. Thomass Do not go gentle into that goodnight. The Explicator 52.2 (1994) 113-15.